Simon Busuttil an appreciaton

When I started drafting this note on Monday, I really wasn’t sure how to begin and as the week has passed finding an ending has proved similarly challenging. 

On Monday morning I opened up my emails, and one quickly caught my eye, one of those emails with someone’s name the solitary occupant of the subject line. Deep inside I knew that emails like this can hold the worst possible news, but even so as I raced down the page, my brain was searching for a scenario that didn’t hold the message that I was starting to fear. 

Sadly, the news in this email was shockingly bad, Simon Busuttil, my friend and colleague of over 30 years, had died suddenly and unexpectedly at the weekend. Simon was based on the Turks and Caicos Islands [TCI] in the Caribbean, running a portfolio of RSPB conservation projects. 

When we met in London last summer it was clear to me that he was loving life in TCI and full of plans for the future. Simon and I first met in 1991 at Loch Garten, then got to know each other a few years later when he was RSPB Site Manager at Dungeness in Kent. There in the old low-ceilinged rooms of Boulderwall Farm we plotted a five-week expedition "Wings Over Kazakstan" through the Ili River delta in Kazakhstan. A journey that took us and four other English birders through a wetland twice the size of Kent, a boat trip 20km across a large lake in a couple of small aluminium boats with tiny outboards, where a sea monster was reputed to eat the bodies of drowned fishermen (that or it was big, deep and remote and there was no one around to find the bodies) and we “enjoyed" a very messy night in a campsite in the middle of nowhere when our guides tried (successfully) to get us drunk on homemade Vodka that smelt vaguely of bananas and we retaliated with a bottle of duty free Grouse. 

Our RSPB careers took us to different parts of the UK, Simon to Aberdeen to manage the RSPB’s reserves in East Scotland and me to Norfolk. But we kept in touch, attended each other’s weddings, and just before my first son was born had a trip to Spain together where we marvelled at the vast flocks of wintering Cranes and spent a bitterly cold dawn listening to the squeaking door song of Dupont’s Lark.

Simon revelled in people and places, whether the shingle peninsular of Dungeness, the Montrose basin from where he’d tell me about the skeins of wild geese flying over his house in winter, or in more recent years the people and places of his adopted Caribbean home in the TCI. 

When Simon moved with his family to the Caribbean our friendship played out on WhatsApp, only last week we exchanged messages and photos. And whenever he was in the UK, we’d meet up usually in Chinatown for a all you can eat buffet and afternoon talking squit in a London Boozer. When we met last summer, I remember how happy he was as a south London boy and lifelong Crystal Palace fan to have seen them lift the FA Cup earlier that year. 

And so, to the shocking news contained in that email of his untimely death. Gone way to soon with so much left to do and a family to watch grow up. Whenever we met at some point the conversation always turned to our families, and Simon with that familiar glint in his eye would come alive as he updated me on Emily his wife, his two boys and daughter. I never had any doubt that he loved every moment of watching his boys become young men, becoming independent and holding their own in conversation with him, and the extra time he was looking forward to having with his daughter, his youngest child, as the boys left home. 

And I know that if I’m going to miss my mate “Busty” hugely, that I can’t even begin to imagine the hole his passing will leave in his wife Emily and their children's lives. 

Another one of the good guys gone.

Of Greenfinches and time travel

 

The parched summer lawn is more faded yellow than green, the arid look slightly lessened by patches of small yellow flowers, a far cry from the manicured but lifeless green carpet we inherited when we moved here two years ago. Looking through the kitchen window as I potter preparing lunch, I spot a Greenfinch working its way across the grass, its thick beak nimbly processing seeds to small for me to see, but immensely reassuring to know that the finch can find.

 

Greenfinch in a West Norfolk Garden

As I look at this small bird with its understated green feathers and yellow flash in its wing, I am for a moment taken back in time to one of my earliest bird memories, to our tiny north London garden where my mother had hung a red netting bag of peanuts to feed the birds and I think more importantly to her to feed my evident interest in all things wild.

 

This bag of nuts had initially proved to be a great success attracting a procession of Greenfinches over the fence and into our garden from the over grown garden.

 

But then Monty discovered the joys of watching the Greenfinches in our garden. Indeed I think is fair to say with hindsight that Monty was even keener on watching the birds on the feeder than I was. Monty was what these days folk are want to call part of the family, back in the early 70's we simply called him a pet. Monty was our slightly mangy Tom cat, black all over apart from a slight wisp of white hairs under his chin, and Monty took a real shine to the Greenfinches on the red netting feeder. And so over the course of a week or so the ground under the feeder had a fall of beautiful green and yellow feathers land on it, as Monty worked his way through the flock with a surprising efficiency.

 

As I looked out on our Norfolk garden lawn it was gratifying to see not only the Greenfinch feeding on the grass but also Woodpigeons, Blackbirds and a Dunnock and remembering the visits by Green Woodpeckers, a bird of such exotic appearance that the child looking out on that North London garden couldn't even have dreamed of seeing one.

 

Why do these birds grace us with their presence? Well in part it is because we have provided some of the things that they need, cover to dash into if a predator should appear, a source of food; seeds for the finches, ants for the Green Woodpeckers, and worms and caterpillars for the Blackbirds.

 

Looking out of the upstairs window the estate we live on looks less inviting to birds than it could do, there are few mature trees and hedges, there are some patches of lawn, but a lot of lifeless paved areas too. But in short, if you try and think like a Blackbird or a Greenfinch it is nowhere nearly as attractive as it could be and gardens like ours are welcome Oasis where birds come to feed. And for us it's a simple investment in pleasure, the pleasure that comes from sharing our lives with these birds, seeing them and hearing their songs.

 

The Greenfinch looks settled, so I rush and grab my camera, I ease open the kitchen window and gingerly poke the long lens through the gap and grab a few shots. Greenfinches really are such smart birds, I can see with clarity even after all these years why they captivated the younger me.

 

But it's a work day and lunch is ready and after grabbing a few shots, I return to the kitchen table to eat and think about that tiny north London garden half a century and a lifetime ago.

Time with Kes

Over the past year or two I have spent a lot of time with Kestrels, initially by accident and then by design. Lockdown started it all, enforced localness meant a concentration on the birds to be found in the lanes and farmland that I could walk to from home. I soon learnt where the good spots were to watch the resident Kestrels and take photos. I found myself going back to these spots in the hope that a Kestrel would be perched up within camera range perhaps doing something interesting like dismembering a small bird or rodent. 

Just over a year ago I changed by old Canon DSLR and lenses for a new lighter Olympus camera system and found myself more often with a camera and telephoto lens hanging off my shoulder ready to be pointed at the local wildlife. This opportunistic approach yielded some nice results and meant that walks which from a Norfolk birding perspective might have seemed a bit quiet became richly rewarding when one of the resident birds performed for me. 

Taking these pictures and spending a little time with these birds also reminded me of just how smart they are, the males in particular have the most wonderfully intricate plumage with yellow beaks and feet set off against a slate blue head, a speckled chest, a rufous brown back. Their ability whilst buffeted by the wind to hold their heads still as if mounted on a gyroscope as the intently stare at the ground for prey is both impressive and a little scary if you think what it must be like as a small mammal to have one of these top predators hunting nearby. 

Kestrels also represent a sense of continuity in my birding life, growing up in north London and cutting my birding teeth in the capitals parks and open spaces, Kestrels were the first bird of prey that I became familiar with. This was a time when to see a Sparrowhawk was an occasional treat both because they were much scarcer then and also because I hadn't developed the birding skills to easily pick them out as they sped by. As for the raptors that I see on a daily basis now in north Norfolk, Marsh Harriers, Buzzards and Red Kites were the birds of my dreams and very occasional treats on local RSPB group coach trips to birding hot spots. Yet now I am more likely to see one of these three species on a casual walk or drive than I am a Kestrel locally. 

As Covid restrictions eased I enjoyed the ability to travel a little further afield to some of the birding hot spots close to home: Titchwell, Holkham and Holme. But still I have found myself revisiting my local Kestrel territories camera in hand hoping to snatch some more candid snaps of these enigmatic little raptors.

Male Kestrel keeping its head still despite being blown around by the wind.

Kestrel on the roof

A perfect combination of a male Kestrel and freshly opened Oak leaves

A favourite post to sit on and regurgitate pellets

Kestrel pellet 

Kestrel inspecting the ground for prey

Kestrel pulling at the sinews of its prey.

Reflections, Waterflame and Mirror on the sky, thoughts on a visit to Houghton Hall

Over the past few months eye catching roadside hoardings showing a globe of blue sky streaked with clouds have popped up all over north and west Norfolk. These are advertising an exhibition of landscape art by the famed sculptor Anish Kapoor at Houghton Hall. Being curious and having a week off and two children to keep entertained through this long summer holiday we decided to give the exhibition a try. At £16 each for an adult ticket but free entry for the kids it was a reasonably priced but not cheap excursion. 

Houghton Hall doesn't open until 11am which does feel rather late in the day and when we arrived ten minutes early there was a queue of cars waiting by the locked gates. We'd booked our tickets online and when we gave our booking reference to the lady on the entrance booth she remarked that we were "another group" that were booked for the following week, but that she "would let us in". Grateful as we were to be let in we were a little surprised at her tone given we had checked the computer booking and clearly weren't the only folk who had a problem with the date. 

Once parked we headed first for the Walled Garden which was wonderful and both kids [age 8 and 11] said this was their favourite place, in particular they loved Jeppe Hein's Waterflame a traditional pond and water fountain topped off by a burning flame. I suspect an analysis of social media posts from Houghton would show this as one of the most photographed and shared parts of the estate. 

Jeppe Hein's, Waterflame

The rest of the Walled Garden was lovely and no1 son in particular was taken by the amount of fruit grown within it. I enjoyed having a coffee on a bench by another pool and spent a contemplative five minutes photographing a Water Lily surrounded by the fallen crimson petals of a Geranium. 

Water Lily and Geranium petals

Passing through the Courtyard [with some above average quality outdoor furniture to sit on] we showed our tickets and entered the grounds in front of the Hall and spent a pleasant couple of hours using the free map provided to explore both the Anish Kapoor exhibition and the permanent pieces of landscape art. The headline act for us and I suspect for most other visitors was the Kapoor piece Sky Mirror. Perhaps a shame it was such a grey day and that the giant sphere reflecting the sky took on the appearance of the Moon rather than the radiant blue and white disc of the promotional posters, perhaps something to consider when deciding when to visit. 

Anish Kapoor, Sky Mirror 

Although it was quite busy, unlike most places around where we live in North West Norfolk at no point did we feel crowded and it was easy to relax and find a quiet spot to sit and drink coffee or have a picnic. Our fellow visitors were fun to observe with perhaps not unexpectedly, a higher proportion of folk in slightly more bohemian clothing. One final observation on our experiences and which I only noticed towards the end of our visit was that there were no dogs in the grounds. So no dog muck to avoid, no owners with dogs that they don't quite have under under control that bound up to you barking, which did make a nice and relaxing change. 

Our visit ended with an ice cream tub on the lawns [£2 each] whilst a pair each of Red Kites and Common Buzzards jousted high over the Hall. 

Can you ever have too many Avocet pictures?

Avocets, Frampton Marsh

I enjoyed taking this image, the marsh was full of Avocets and I was having fun trying to get pictures of them in flight. I started to try and make sense of the activity around me by focusing on single birds, but as I became more attuned to the action going on around me, I noticed that often pairs of birds would take flight together or that two or three birds would converge in the air as they chased each other away from their patch of ground.

There is something very elegant about Avocets. Their plumage the crisp lines between the black and white feathers, the long blue grey legs on which they daintily wade through muddy shallows, and that distinctive long black scimitar bill for sifting small shrimps out of the marsh.

Avocets have a suitably tragic and well known back story as a species, a history inextricably linked in with that of the RSPB who have adopted the species as their emblem in acknowledgement of the hope that their work on these birds in helping them to recover from extinction as a breeding bird in the UK. Work that gives hope to their work on other threatened birds.

By dint of where they live and also perhaps where they don't, Avocets will be associated in many birders minds with great days out in amazing places on the coast: Minsmere, Titchwell, Frampton a roll call of our best nature reserves, where today you are almost guaranteed to see these special birds. Hope made real in flesh and feathers, a Lazarus bird brought back from UK extinction and whose spread has been facilitated by the creation of new nature reserves with suitable habitat for Avocets and a range of other wetland birds.

In response to some frustrating behaviour by some photographers, I once heard an exasperated warden exclaim something along the lines of "Aren't there enough pictures of Kingfishers in the world!" Indeed sometimes when leafing through portfolios of award winning images of UK wildlife I have felt the same. But I think on reflection that misses at least part of the point. Taking pictures of Kingfishers, Avocets and a whole range of other species gives people pleasure, it gives them a sense of connection and it can give friends and family pleasure too. All of which I hope leads to a sense that these species and the places that they live are worth looking after.

Taking this picture gave me pleasure, I have taken pleasure from the reaction of others to it over on my Instagram page and I have taken pleasure from the fact that there is more to it than may be apparent on first viewing.

Looking at it I feel that the image has a balletic feel to it, the upper bird appears to be releasing the lower bird to let it swoop elegantly away, as if they were performing some avian version of Swan Lake.  And yet that isn't what was happening, this 1600th of a second moment frozen in time is not of two birds in a loving aerial dance, but of a dog fight above a east coast marsh on a mid-summer morning. The Avocets here were in a constant state of agitation, as soon as I opened my car door I was hit by a soundscape full of their kloot, kloot calls as pairs of Avocets chased away their neighbours and any other birds who had the temerity to enter their air space.

In essence they were behaving less like ballerina's and more like badly behaved super models. In doing so they were living up to their reputation as notoriously anti social birds. Thinking back I can vividly remember watching an Avocet colony on a Dutch marsh where one adult bird grabbed a neighbours chick in its delicate bill and throttled it under the water until the young birds parents flew in screaming to rescue it. In Norfolk I have watched pairs of Avocets rising to the sky to harry and chase away birds many times their size including potential predators like Grey Herons.

I witnessed these behaviours and had the chance to grab on film fractions of seconds for posterity, because sitting overlooking a marsh watching the birds, anticipating their behaviour and thinking about technically how I can grab a shot worth sharing, all that gives me pleasure. It also means for me at least that I am even more inclined to want to protect and share the places where these elegant if slightly anti-social birds thrive.

Hope, Cranes and the Lockdown

Context is hugely influential in how we experience and think about nature and 30 odd years ago for me as a young birder that meant a frame of reference formed by the London parks where I had done most of birdwatching. On this occasion though I wasn’t in London, but with a friend who lived close to the Norfolk Broads. We were standing at the end of bitterly cold and snowy winters day on the edge of the marshes with the distinctive shape of Horsey Mill behind us. A family party of Whooper Swans had just flown past, Marsh Harriers were drifting over the large reedbed and then there they were bugling as they went by a pair of Cranes. To me back then these were mythical creatures, part of a tiny population of pioneering birds recolonising this wild eastern edge of England. Soon they disappeared from view as they dropped into their night-time roost site.

So when one evening this April, several decades later and in a different corner of Norfolk, two Common Cranes appeared over the rounded slope of the arable field I was walking past, not only did I feel the excitement I always experience when seeing these majestic birds, but they also triggered memories of that first sighting in the Broads and some of the work that I have been involved in over the years with RSPB to help create places where Cranes if they so choose can live and thrive.

Lockdown Cranes, Hunstanton

The Cranes as they flew past me high and heading north were unmistakeable large grey birds with long legs and necks topped by a red heads. I had thought that given the lockdown restrictions it would be many months until I got the chance to travel into Crane country, and it was this sense of them as an unexpected and short lived treat that made this experience all the more special. The birds were soon gone, my encounter with them lasting less than a minute, time to relish the moment and grab a couple of record shots with my camera. Then once they were out of sight I sent a text to a friend who lived half a mile away suggesting they get out in their garden in case they could see them from there. The message I got back was an unhappy one, pointing out that they had walked past the same field twenty minutes earlier and no they couldn’t see or hear the Cranes from their garden.

Cranes were once a widespread bird of the British Countryside, but like so much else of our native wildlife they disappeared from the landscape and our national consciousness centuries ago, victims of hunting and habitat loss. Then something amazing occurred they found their way back. Initially this happened slowly in remote marshland in the Norfolk Broads, where pioneering birds started their nesting attempts in the late 70’s on the Horsey estate. Slowly as this population grew in size, it started to expand its range across the Broads and then into the Fens where the first Cranes to nest in this famously flat landscape in four centuries chose to do so at the RSPB’s Lakenheath Fen Nature Reserve.

Now Lakenheath Fen is an amazing place to visit hooching with life on a spring day. This is a man made landscape,  a small restoration of the once extensive wild and wet Fens that were drained for agriculture. Until they were drained the Fens were England’s great wetland, but the drainage not only sucked water out of the fens but also wildlife. Then back in the early 1990’s the RSPB’s East Anglian region team based in Norwich were looking to buy a piece of land in the Fens that could be used to create a new wetland nature reserve away from the coast and the threat of sea level rise, where species like Bitterns and Marsh Harriers could thrive. Never in their wildest dreams did they think that within a couple of decades Cranes would be nesting on the wetland they created. Following an appeal the RSPB were able to buy the land for this project at Lakenheath, land which at the time it was being used to grow carrots. To lead the task of turning 400 hectares of carrot fields into a wetland they appointed Norman Sills as warden. Norman had spent the previous couple of decades setting up the famous RSPB nature reserve at Titchwell Marsh on the north Norfolk coast and is a bit of a genius when it comes to taking a piece of land and creating a wildlife rich wetland.

Today you can take the train from Brandon past Lakenheath Fen, a journey across arable fields until you pass the reserve, a landscape of swaying reeds over which glide Marsh Harriers and if you are lucky you may catch a glimpse out of the train window of one of the reserves two pairs of Cranes.

In 2010 whilst the Cranes in eastern England, in the Fens and the Broads, were slowly building up their population a partnership called the Great Crane project made up of WWT, RSPB and Pensthorpe Conservation Trust, with major funding from Viridor Credits Environmental came together to give our wild Crane population a boost in the west of England on the Somerset Levels. Here on England’s largest area of wetland and grazing marsh, a landscape criss-crossed by dikes and marshes dotted with grazing cattle over a five year period 93 Cranes were released into the wild by the project.

Helped by nature conservation organisations, landowners and other’s Cranes have done well in England in recent decades slowly reclaiming bits of the landscape their ancestors would once have occupied. A sort of long-legged giant Canary in a coalmine, whose presence is a symbol of where landscapes are wet enough and wild enough to have these birds back. They show where, as a society, we have been able to make space for nature, not just for Cranes but for the wild ecosystem’s and nature friendly farmland on which they rely.

Last year there were an amazing 56 pairs of Cranes nesting across the UK, and although their strongholds are still in the Broads, Fens and Somerset Levels birds can be found in other areas too. At least 85% of the UK population of Cranes are found on protected sites with a third of these on RSPB nature reserves, wild places where they can breed undisturbed safe away from people.

All of which means that at a time when because of lockdown my physical horizons had shrunk to the places I can easily reach on foot from my house. I was able to stand by the side of a non-descript arable field, on the edge of the small east coast town that I call home, with a pair of Cranes briefly adding some sparkle to my daily exercise walk and for the Cranes to remind me that when people come together we can bring nature back into our landscapes and our lives.

After the Cranes have flown out of sight over the wood to my north, I scribble the record in my notebook and remember the late American writer and explorer Peter Matthiessen’s book Birds of Heaven about his journeys around the globe in search of the worlds different Crane species. In this book he coins a lovely phrase to describe those of us who like him are smitten by these elegant and enigmatic birds and the wild places where they live, he called himself and us Crainiacs, I like that.

Snapshots of Lockdown from a small east coast town.

The last few days have felt simultaneously strangely familiar and yet disconcerting and worrying. With the relaxation for now of the lockdown restrictions there has been a increase in traffic and people around Hunstanton and the surrounding coast and countryside, still not at the levels we would normally expect but much busier than it has been. With this increase in people out and about, there has also been an increase in rumour, opinion and worry; does the holiday cottage at the end of someones road now have people in it, will we be inundated with folk 
this weekend and with them an increased risk of the virus

This shift back towards a more normal number of people and cars is a bit of a jolt we have been lucky living in a relatively sparsely population corner of England. Whilst the Virus is present in the local population we have been able to isolate ourselves and enjoy quiet walks and bike rides, that sense of peace and tranquility and accompanying feeling of relative safety now seems to be fading away and will for a while at least be missed. 

Today we went for a walk in our local woods and you could see those small personal judgements made in households, about maybe relaxing social distancing rules just a little bit starting to multiply when applied to the population at large. Groups of four or five teenagers on mountain bikes, inter-generational family groups walking together, workmen standing close together discussing a job. All small personal decisions but when multiplied it makes you wonder whether we will soon see another rise in infections. 

We have two good local walks which we have been able to lengthen and shorten according to need. One takes us down Lovers Lane along the oak lined track that is Downs Road and then towards Ringstead Downs. The other walk goes along Old Hunstanton Beach towards Holme and then back along the edge of the River Hun past the Golf Course. Since Lockdown began on 23 March I have managed to see or hear 101 species on walks from home mainly on these two routes. 

As spring has progressed I have watched as the fields either side of Lovers Lane turned a vibrant shade of yellow as the Oil Seed Rape bloomed and now as the Rape sets seed these fields have faded to green. I have learnt the best fields to search for Wheatear's in Spring and which hedgerows to pause by to listen for the songs of Lesser Whitethroats. On the coast path we have enjoyed watching dueling Green Hairstreaks and basking Wall Brown Butterflies. 

It has been these walks on my own and with the family that have helped to keep me fit and sane over the last couple of months, indeed more than that I have enjoyed getting to know the small east coast town that I call home and its surrounding countryside better and watching a season unfold in my local area. 

Soon Spring will give way to Summer, already the swaying hazy white blooms of Cow Parsley have taken over from Alexanders in the hedgerows and soon the Cuckoos will fall silent. Whilst lockdown is being lifted a little for now I will be focused on my home ground and on the walks that I can do from home for some time to come.

I have been trying to post regular pictures and accompanying words on my Instagram account here 
https://www.instagram.com/bull_of_the_bog/